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George Crumb discusses his work on Vox Humani, a piece in which he uses a compass to create intricate, visually-pleasing music. Despite some initial resistance from players, the piece has been well-received by critics. The author discusses his composing process and how it has evolved over time. He reflects on the experience of writing "Sinfonia domestica," which he describes as a lighter piece than some of his other work. He says that it is usually laughed at when it is played, as people imagine the little details he includes in the piece.
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