In the "Alexandre Frota no Saladacast Ao Vivo! EP 65" podcast , the hosts welcome a multitalented guest, Alexandre Frota, known for his work in acting, politics, comedy, and directing. The episode begins with the hosts expressing their admiration for Frota's career, which includes popular shows like "Roque Santeiro," "Cambalacho," "Malhação," and "Sai de Baixo." Frota shares anecdotes about his experiences and a past controversy with Davi Cardoso. The hosts also celebrate reaching 100,000 subscribers and acknowledge the competitive nature of podcasting.
Later in the podcast, Frota discusses his experiences in politics, including his time as a co-author of a law and his involvement in a commission to combat fake news. He shares his personal experiences and the importance of working for the benefit of the people. Frota also touches upon the large amounts of money involved in politics and the challenges of leaving the political system.
The speakers also discuss controversial topics such as land demarcation in indigenous territories and the power dynamics in Brazilian politics. They criticize certain politicians, including Milton Leite, Cláudio Castro, and Ricardo Nunes, for their actions and lack of transparency.
Throughout the podcast, Frota emphasizes the importance of being prepared and knowledgeable when speaking in a political setting and shares his personal experiences with theater and the impact of the Bolsonaro government on the arts. The conversation also touches upon the challenges of financing and producing theater projects and the influence of likes and followers in the entertainment industry and politics.
00:10:00 In this section of the "Alexandre Frota no Saladacast Ao Vivo! EP 65" podcast, the hosts are welcoming their guest, who is an actor, politician, comedian, director, and presenter. The guest has worked on various popular shows and programs, including "Roque Santeiro," "Cambalacho," "Malhação," and "Sai de Baixo." He is also known for being a former model and ex-porn actor. The hosts express their admiration for him and share some anecdotes about his career. They also mention a controversy he had with another famous figure, Davi Cardoso, and plan to discuss it in the program. The guest expresses his gratitude for being invited and shares his excitement about being there. The hosts also thank their audience for their support and celebrate reaching 100,000 subscribers.
00:15:00 In this section of the YouTube podcast "Alexandre Frota no Saladacast Ao Vivo! EP 65," the host acknowledges the competitive nature of podcasting and the millions of people creating content. He congratulates those present for their hard work and dedication, emphasizing that recognition from YouTube adds credibility. The host shares his personal journey of improvement and hard work, emphasizing his passion for family and his dynamic personality. Alexandre Frota, the guest of the episode, is introduced as a man who has evolved and become more balanced over the years, despite facing challenges and setbacks. The host praises Frota's honesty and resilience, acknowledging that speaking the truth can be uncomfortable in their country.
00:20:00 In this section of the "Alexandre Frota no Saladacast Ao Vivo! EP 65" podcast, the speakers express their disapproval towards certain politicians and their actions. They criticize Milton Leite, the President of the Chamber of Vereadores of São Paulo, for approving a new zoning plan that allows construction of up to 20-story buildings in areas of environmental preservation. They also criticize Cláudio Castro, the Governor of Rio de Janeiro, for neglecting the city and being under investigation for corruption. The speakers also criticize Ricardo Nunes, the President of the City of São Paulo, for lacking achievements and making deals to gain Bolsonaro's support. They argue that important decisions affecting the lives of taxpayers should be subject to public hearings, but politicians often refuse to hold them to avoid confrontation. The speakers also question the motives of corporations and their influence on politics.
00:25:00 In this section of the YouTube video titled "ALEXANDRE FROTA NO SALADACAST AO VIVO! EP 65," Alexandre Fota discusses the large amounts of money involved in politics, specifically in relation to emendas and the orçamento secreto (secret budget) in Brazil. He mentions that during his time, deputados (deputies) received around R$ 20 million in mandatory emendas, which are not publicly traceable. The speaker also mentions the end of the orçamento secreto and the introduction of emendas from the relator (the person proposing the budget). Fota explains that important votes require the cooperation of party leaders and encourages listeners to identify and pressure deputados to vote in favor of certain issues. He also notes that the Brazilian people are passive and will only become active during major events like Carnaval, the New Year, and sports championships. The speaker emphasizes the need for 308 votes to pass a bill but currently has 364, and they are trying to gain more support.
00:30:00 In this section of the "Alexandre Frota no Saladacast Ao Vivo! EP 65" podcast, Alexandre Frota discusses controversial topics such as land demarcation in indigenous territories and the power dynamics in Brazilian politics. He shares his personal experiences and the importance of working for the benefit of the people. Frota also mentions his past accomplishments as a Deputy, having the most projects approved in defense of women and autistic children. However, he lost monetization on his Facebook page for speaking out on these issues.
00:35:00 In this section of the YouTube video titled "ALEXANDRE FROTA NO SALADACAST AO VIVO! EP 65," Alexandre Frota discusses his experience as a former co-author of a law and his involvement in a commission to combat fake news. He coordinated the commission and also the special commission for Previdência. Frota served for four years as the head of the commission for Culture. He accompanied the audience through their journey and worked diligently, but he knew he wouldn't be reelected due to his position in the middle of a polarized political climate. When he left, he was criticized and attacked on social media. Frota acknowledges that he couldn't please everyone and that people misunderstood his opinions, labeling them as prejudice, racism, homophobia, misogyny, and other negative things. He emphasizes that one cannot have an opinion in such a climate and that he was "massacred" on social media. Despite the challenges, Frota remained committed to his work and learned how the political system functioned. He compares it to a reality show, where one's voice is silenced, and only those who follow the party line are heard. Frota admits that he didn't have an easy time and that he couldn't please everyone, but he remained determined to make a difference and help people. He concludes by acknowledging the challenges of leaving the system and the presence of powerful interests that make it difficult for individuals to make a difference.
00:40:00 In this section of the "Alexandre Frota no Saladacast Ao Vivo! EP 65" podcast, the speaker discusses the current state of politics in Brazil and the divide between those who have privileges and those who are struggling. He mentions the arrival of Jair Bolsonaro and the unfortunate side of the Brazilian people that was revealed during his presidency. The speaker criticizes those who prioritize their own benefits over the welfare of the population and the country's issues. He also touches upon the manipulability of the Brazilian people and the lack of discernment among them. The conversation lasts for hours, with the speaker asking insightful questions and receiving one-minute responses, only to be met with constant criticism from the audience.
00:45:00 In this section of the YouTube video titled "ALEXANDRE FROTA NO SALADACAST AO VIVO! EP 65," Alexandre Fota expresses his opinions on politics and the concept of communism. He believes that only the leader benefits from a communist system, while those beneath him suffer. He uses the example of a carnival character, Pou Dede, to illustrate his point. Fota also discusses the influence of likes and followers in the entertainment industry and politics, stating that politicians now rely on their shows and engagement to succeed. He shares an anecdote about a friend, an economist, who gave a speech in the Chamber of Deputies and was left alone after the event, despite answering all the critics' questions. Fota concludes by complimenting his friend's speech and expressing his admiration for his ability to respond to critics.
00:50:00 In this section of the YouTube video titled "ALEXANDRE FROTA NO SALADACAST AO VIVO! EP 65," Alexandre Frota discusses his experience giving a speech to 200 deputies and the importance of being prepared and knowledgeable when speaking in a legislative body. He also touches upon the topic of Tiririca, a Brazilian comedian who faced literacy challenges, and the importance of understanding the realities of politics and culture. Frota shares his personal experiences with theater and the impact of the Bolsonaro government on the arts, attributing the decline in public interest to a lack of understanding and appreciation for culture. He also mentions the pandemic's role in closing theaters and the challenges faced by artists during this time. Despite his criticisms, Frota emphasizes the importance of being prepared and knowledgeable when speaking in a political setting.
00:55:00 In this section of the "Alexandre Frota no Saladacast Ao Vivo! EP 65" podcast, Santos discusses the challenges of financing and producing theater projects. He mentions how some well-known names in Brazilian entertainment, like Cláudia Raia and Didi, have received significant funding through a law called Lei Ronaldo. Santos feels that this system is complicated and bureaucratic, making it difficult for smaller artists to enter. He shares his own experience of obtaining funding for a production, which required him to invest 15% of the money into supporting other projects. Santos also acknowledges the importance of the film "Museu do Caramba," a Brazilian cinema production, and shares his involvement in various Brazilian TV shows and films.
In the "ALEXANDRE FROTA NO SALADACAST AO VIVO! EP 65" podcast episode, Marília and Alexandre Frota share their experiences in the Brazilian entertainment industry. Marília talks about her and her brother Maurício's journey to TV Globo, where they both landed roles in novelas but Maurício was eventually removed and given a successful role in "Roque Santeiro." Frota discusses his career transition from television to events and production, sharing his fascination with behind-the-scenes aspects and the changing landscape of the industry. He also recalls working on soap operas and collaborating with renowned actors. The conversation touches upon the importance of talent and formal training versus social media following and physical appearance in the industry. Frota also shares anecdotes about unexpected experiences on set and working with famous personalities.
01:00:00 In this section of the YouTube video titled "ALEXANDRE FROTA NO SALADACAST AO VIVO! EP 65," Marília describes how she and her brother Maurício both landed roles on TV Globo's novelas. Maurício received an invitation to join a new novela, and they both went through the audition process together. However, Maurício was eventually removed from the cast and given a role in another novela, "Roque Santeiro," which became a huge success. Marília also shared that they had a strong connection and that she admired her brother's acting abilities. They both went on to work with renowned actors like Regina Duarte and José Wilker. Despite their success, Marília mentioned that they were not given prominent roles and had to work hard to make a name for themselves in the industry. She also shared that her contract with TV Globo ended, and she moved to São Paulo but was not demitted from the company.
01:05:00 In this section of the YouTube video titled "Alexandre Frota no Saladacast Ao Vivo! EP 65," Alexandre Frota discusses his career journey from television to events and production. He worked on shows featuring artists like Paul McCartney, Michael Jackson, and Madonna, and was a part of four editions of Hollywood Rock and Som Brasil. Frota shares his fascination with the behind-the-scenes aspects of production, including lighting, sound design, and stage management. He produced theater pieces while also working in television, and found joy in the production process. Frota also talks about the changing landscape of the entertainment industry, where success is often determined by social media following rather than formal training or experience. He expresses concern about the lack of opportunities for those who have dedicated years to studying and perfecting their craft. The conversation touches upon the hypocrisy and ease of the modern world, where a YouTuber with millions of followers can easily transition to television, and the traditional television audiences are being migrated to social media platforms.
01:10:00 In this section of the "Alexandre Frota no Saladacast Ao Vivo! EP 65" podcast, the speaker discusses the changing landscape of television and the role of social media in reaching audiences. Boninho, a well-known figure in Brazilian media, has attempted to bring social media personalities onto television but has not had success with Big Brother due to the potential shift in audience demographics. The speaker notes that approximately 88% of the Brazilian population has access to social media, and television networks have tried to capture this audience by reaching out to individuals without formal artistic training or education. The speaker criticizes the system, which prioritizes physical appearance and social media following over talent and formal training. The speaker also mentions that some actors have been paid large sums of money to audition for roles, only to be rejected. The speaker expresses a preference for the traditional system of auditioning and believes that the current system favors those who are already famous or have large social media followings. The speaker also shares his vision of the evolution of television galas and the emergence of new types of characters, such as Alexandre Frota and others, who have become popular through their unique personalities and abilities to connect with audiences.
01:15:00 In this section of the YouTube video titled "ALEXANDRE FROTA NO SALADACAST AO VIVO! EP 65 #podcasts #podcastbrasil #cortes," Alexandre Fota discusses his experience working on a soap opera and the creation of a character named Raí. He mentions how he was approached by Roberto Talma to join the production, but was later replaced by Marcelo Newaz as the director preferred him. Fota shares how Marcelo's performance in the role was exceptional and led to his marriage with the character Babalu, resulting in children. He also recalls Romulo Arantes, who once invited him to a reading for a successful soap opera, and expresses his desire to include his music in the trilva of the novel. However, the director insists on using Marcelo's music instead, causing a moment of tension in the room.
01:20:00 In this section of the "Alexandre Frota no Saladacast Ao Vivo! EP 65" podcast, Alexandre Frota discusses his experiences working on television novels and the impact of certain actors on the production. He recalls a time when he suggested music for a character, Claudia Lira, and how her presence on set was both alluring and distracting. Frota also mentions how the sound design and music played a role in enhancing the scenes. He shares an anecdote about a director, Talma, entering the studio and asking for a bottle of Red Label whisky to use in a scene. Despite not revealing the director's name, Frota emphasizes the importance of the director's presence and input in the production process. Overall, Frota highlights the collaborative nature of making a television novel and the various elements that come together to create an engaging and successful production.
01:25:00 In this section of the "Alexandre Frota no Saladacast Ao Vivo! EP 65" podcast, Frota and Malu are seen sharing a scene where they eat fruit and whisky. Frota feeds Malu different fruits and they both take turns tasting and drinking. Malu becomes nervous about an upcoming scene, and Frota suggests they take advantage of her nervousness to add tension. They discuss the importance of communication between actors and how they prepared for a sex scene in the miniseries "Boca do Lixo," which was filmed in Avaré and São Paulo. Frota recalls how they had to defend the actress, Silvia, and make her feel comfortable during the scene. The miniseries, which starred Frota and Reginaldo Farias, was a success and became one of the most popular and controversial productions on TV Globo.
01:30:00 In this section of the YouTube video titled "ALEXANDRE FROTA NO SALADACAST AO VIVO! EP 65," Alexandre Fota discusses a scene from a past production where he worked with actor Stênio Garcia. The scene was intended to be five pages long, and Fota prepared extensively for it, decorating his script and memorizing his lines. However, during filming, Garcia unexpectedly started hitting Fota, which resulted in a chaotic and absurd scene. Fota expresses gratitude for having worked with good directors in the past, such as Walter Avancini, who would only start filming once everyone was prepared. The scene Fota is referring to is from a production called "Cangaço," where a character played by Garcia is shot on a horse. Despite the unexpected turn of events, Fota emphasizes the importance of being fully prepared for filming.
01:35:00 In this section of the "Alexandre Frota no Saladacast Ao Vivo! EP 65" podcast, Frota shares an anecdote about an acting experience where he was required to fully immerse himself in the role of a cangaceiro, a Brazilian outlaw. He describes how his character refused to take a bath or use personal care products, and Frota had to follow these rules off-camera as well. He also talks about his past experiences working in the industry before the era of managers, agents, and personal stylists, and shares a humorous story about trying to bring a friend's shirt brand to the set of the Faustão show.
01:40:00 In this section of the "Alexandre Fota no Saladacast Ao Vivo! EP 65" podcast, Alexandre Fota recounts an unexpected encounter with Faustão during an interview. While preparing for the interview, Fota's brother entered the room and pointed out that Faustão's face appeared green on the monitor. As Fota looked closer, he noticed Faustão had accidentally worn a green shirt, which caused some amusement. During the interview, Faustão asked Fota about a specific brand, assuming it was a friend's, but Fota clarified that he had not collaborated with anyone. The interview continued, and Fota shared an anecdote about starting at Globo and being asked to sign a contract for merchandise sales. The conversation ended with Faustão inviting Fota to take a sip of Guaraná, a popular Brazilian beverage, and the two shared a moment of camaraderie.
01:45:00 In this section of the "Alexandre Frota no Saladacast Ao Vivo! EP 65" podcast, Frota shares a humorous anecdote about helping an innocent man by buying him a shirt, only to get into trouble himself. He recounts how his brother wore the shirt to an event where he was mistaken for the man in question, leading to confusion and amusement. Frota also touches upon various topics including Renato Gaúcho's alleged romantic escapades, the reversal of roles in TV Fama, and the end of Mário Gomes' career due to a false rumor about a carrot incident. Throughout the story, Frota maintains a lighthearted tone, sharing amusing details and anecdotes from the entertainment industry.
01:50:00 In this section of the YouTube video titled "ALEXANDRE FROTA NO SALADACAST AO VIVO! EP 65," Daniel recounts an incident where he was waiting for a meeting with Jô, the host of a popular TV program. While waiting, Daniel discovered a scene in the script where Alexandre Frota was trying to kiss an actress, Claudia R Hum. Despite his reservations, Daniel was pressured to be a part of the scene, leading to a heated argument with Jô. Daniel ultimately decided to leave the production and went to say goodbye to Bon, another producer. However, Bon had also been let go, and Daniel was left feeling uncertain about his future in the industry.
01:55:00 In this section of the YouTube video titled "ALEXANDRE FROTA NO SALADACAST AO VIVO! EP 65," Alexandre Fota recounts an experience where he went to São Paulo to discuss a contract renewal but ended up not signing it. He mentions that Daniel, the person he was supposed to meet, was a problem for him. Fota also talks about how he didn't want to do a novel and instead received a call from Cristina Rocha to do a program on SBT. He expresses that during that time, he had a different perspective and now thinks differently about the situation. Fota also mentions that he was being bombarded with motivational and coaching content, which he dislikes. He then introduces the topic of discussing Davi Cardoso and what he said about Fota.
In the "Alexandre Frota no Saladacast Ao Vivo! EP 65" podcast, Frota shares various stories and anecdotes. He discusses the musicians Marrone and Bruno and their unique performance of the song "Ser Solteira." Frota also expresses admiration for the long-running aluminum products business, Belmar. The conversation then turns to Frota's past relationships and friendships, including his experiences with Davi and their political differences. Frota also shares stories about his time on reality shows and unexpected incidents during live broadcasts. One such incident involved receiving a car on the spot during a live recording of "A Fina da Casa dos Artistas" on SBT. The podcast also includes a discussion about a chaotic live recording session and Frota's experience creating a TV pirate show in Portugal.
02:00:00 In this section of the "Alexandre Frota no Saladacast Ao Vivo! EP 65" podcast, the hosts discuss various topics including music and businesses. They mention a song called "Ser Solteira" and how the musicians, Marrone and Bruno, perform it without any equipment, just singing and playing instruments. They also talk about a business called Belmar, which has been in operation for over 47 years and specializes in aluminum products. The hosts express their admiration for the company and its success. Later in the conversation, they discuss a director named Pedro Vasconcelos and his connection to Frota. Frota shares a story about painting the director's dressing room while everyone else was warming up for a performance, and how Pedro unexpectedly walked in on him. The anecdote is met with laughter from the hosts.
02:05:00 In this section of the "Alexandre Frota no Saladacast Ao Vivo! EP 65" podcast, Frota shares stories about people from his past, including Sérgio Malandro and Davi Cardoso. He recalls Sérgio's fetish for a specific person and shares a story about Davi's financial struggles. Frota also mentions an incident where he gave Davi money to help him out during a difficult time. Despite their differences, Frota expresses his affection for Davi and praises his talent as a showman. He also mentions a controversy where he was accused of deleting a post, but he did not take legal action against Davi for it.
02:10:00 In this section of the "Alexandre Frota no Saladacast Ao Vivo! EP 65" podcast, Frota discusses his past relationship with Davi. Frota recalls that Davi once expressed a desire to become a politician but didn't pursue it. They had a disagreement over politics when Frota was appointed as a deputy federal and Bolsonaro asked him to manage six secretarias under the secretary. Frota offered Bolsonaro a position as a secretary adjunct of culture, but it didn't happen, and Frota later ended his partnership with Bolsonaro for various reasons. Davi then became a Bolsonaro supporter, and Frota expresses his concern about Davi's radicalism and confusion. Despite their past disagreements, Frota emphasizes that he loves Davi and wishes him happiness but finds his recent behavior confusing and contradictory.
02:15:00 In this section of the "Alexandre Frota no Saladacast Ao Vivo! EP 65" podcast, Frota expresses his apologies to someone named Davi for any misunderstandings between them. He acknowledges their past disagreements but clarifies that it was a unilateral issue from Davi's side, not his. Frota also mentions how their names were compared to Rosinha and Rosa due to their past conflict, but he emphasizes that he never had any issues with Davi. He also shares memories of helping Davi's family and working with him on various projects. Frota ends the conversation by expressing his love for Davi and inviting him to meet up and talk in person.
02:20:00 In this section of the "Alexandre Frota no Saladacast Ao Vivo! EP 65" podcast, Frota discusses the loss of friendships due to political differences. He shares an example of a long-standing friendship with someone who holds opposing political views, leading to the loss of mutual friends and even the end of their own friendship. Frota expresses his belief that people should not argue over political figures and that friendships should be more important than political allegiances. He also touches upon the topic of being labeled based on political beliefs and how it can lead to misunderstandings and conflicts. The conversation ends with Frota sharing that he and his former friend have resolved their differences and are now on good terms.
02:25:00 In this section of the YouTube video titled "ALEXANDRE FROTA NO SALADACAST AO VIVO! EP 65," Alexandre Fota discusses his experience on a reality show where he met a woman named Gugu, who wanted to quickly gain the favor of the SBT (Brazilian television network) audience. Fota explains that the show was a game of coexistence, and despite his personal feelings, eliminations were necessary to win the R 2 million real prize. Gugu was eliminated in the first week, and Fota reveals that he had a confrontation with the show's host, Silvio, over the elimination process. The tension between the contestants and the elimination process continued, with Fota expressing his desire to leave the show. At one point, he attempted to contact production during the early hours of the morning to request his departure. However, there was a rule in place that required contestants to wait until the elimination ceremony to leave the program. Despite efforts from the production team to convince him to stay, Fota ultimately decided to leave the show.
02:30:00 In this section of the YouTube video titled "ALEXANDRE FROTA NO SALADACAST AO VIVO! EP 65 #podcasts #podcastbrasil #cortes," Alexandre Frota shares an experience where he seriously considered leaving a radio program. He had been discussing with the team until 11 am, at which point he decided to leave. When he went outside, he was met by Fernando Ranc, the director, who asked him how he made such a decision and if he knew what the program's success was. Frota explained that he had received an offer and had to leave. However, there was a legend that he had jumped the wall of the house of the artists and run down Avenida Morumbi, which was not true. When he got into the van to go home, he saw the driver looking at him strangely. A woman, who was an assistant to Fernando, entered the van with a phone, and Silvio, the host of the program, was on the phone, asking to speak with Frota. Frota excused himself to answer the phone in the kitchen and returned to continue the press conference, which was a success. Five hours later, he was expected at the TV station, and Silvio invited him to come. When Frota arrived, he found Silvio in a chinelo, a white shirt, and a samba song playing, with an omelette and a steak cooking in the fogareiro in his camaroom. Frota was unsure of what to do and ended up staying to eat with Silvio.
02:35:00 In this section of the "Alexandre Frota no Saladacast Ao Vivo! EP 65" podcast, Frota recounts an incident where he was invited to return to the popular Brazilian TV program "Domingão do Faustão" hosted by Silvio Santos. However, some participants objected to his return due to contractual issues. Frota describes the chaos that ensued, with everyone in the room weighing in on the matter. He shares how he was eventually allowed to return, but only if no one among the 11 participants raised their hand to object. Frota also mentions how he used the opportunity to make a grand entrance and promote some of his colleagues and friends in the entertainment industry.
02:40:00 In this section of the YouTube video titled "ALEXANDRE FROTA NO SALADACAST AO VIVO! EP 65," Alexandre Fota recounts an unexpected incident during a live broadcast of the program "A Fina da Casa dos Artistas" on SBT. While Silvio Santos was hosting the show, Fota was unexpectedly called to the stage when a commercial for Fiat's new Doblô car was aired. Silvio, who had made a bet with Fota about the car, gave him the car on the spot, much to the surprise of the audience and the other contestants. The incident gained significant attention, resulting in high ratings for the show. Fota expresses his gratitude to Fiat for sponsoring the program and providing the car as a prize. The incident caused a stir, with some contestants feeling it was unfair that Fota received the car, but Fota clarified that he had not asked for it and that the car was intended for the contest winner. The unexpected event brought joy to the audience and marked the end of the show's run on SBT.
02:45:00 In this section of the "Alexandre Frota no Saladacast Ao Vivo! EP 65" podcast, a discussion revolves around a group of people wanting to buy a car, specifically a Doblô, and the ensuing conversation that ensued. Silvio, one of the group members, mentioned that he had the ability to provide the car for everyone, leading to a heated debate about who would get the keys. Eventually, Silvio promised to give the Doblô to everyone, but when they went to pick up the cars, they found them all impounded. Despite this setback, they managed to make a radio program and eventually, Fiat hired Frota to organize their events, allowing him to live out his dream of directing a reality show. Frota shared his experience of participating in reality shows and how he had brought the format to Brazil. The conversation also touched on his past experiences in Portugal and how he had used some of those strategies in the reality show he was now producing.
02:50:00 In this section of the YouTube video titled "ALEXANDRE FROTA NO SALADACAST AO VIVO! EP 65," Alexandre Fota shares an anecdote about a chaotic live recording session. During the session, Fota played music from different decades, causing confusion among the production team and the audience. At one point, a director tried to stop Fota from playing music from the 70s, but he persisted and even went as far as leaving the studio and returning later to continue dancing and playing music. Fota also mentions creating sketches with a partner, José Castelo Branco, during late-night hours, which added to the suspicion that something was amiss in the house. However, these sketches were only visible to the at-home audience and not to the other housemates.
02:55:00 In this section of the YouTube video "ALEXANDRE FROTA NO SALADACAST AO VIVO! EP 65," Alexandre Frota shares an anecdote about creating a TV pirate show in Portugal, which became a success. He recalls how the cast and crew started calling him "teatrinho" because he was always creating sketches. One day, he began a romantic storyline with a model named Ana, which led to some explicit scenes being filmed in a stable without a camera. When it was time for a cow to give birth, Alexandre was chosen to assist, but he had fallen asleep in his camouflaged clothes and was caught off guard when the production team woke him up. Despite the unexpected situation, Alexandre helped deliver the calf, and the experience turned out to be a memorable and emotional chapter for the show.
In the latest episode of Alexandre Frota's podcast "ALEXANDRE FROTA NO SALADACAST AO VIVO! EP 65," Frota shares various anecdotes from his experiences on reality shows and personal life. He discusses the challenges of filming a reality show with multiple cameras and unexpected eliminations, sharing a story about a friend's elimination and the ensuing confrontation. Frota also talks about his friendship with Silvio Melo, including a prank gone wrong that caused controversy. Additionally, he shares a heartwarming story about rescuing a chick in Portugal and the importance of staying creative. Frota expresses his gratitude to his audience for their support, which helped his podcast reach 100,000 subscribers, and invites listeners to follow him on social media. The podcast will take a week-long break and return live on January 4, 2023.
03:00:00 In this section of the YouTube video titled "ALEXANDRE FROTA NO SALADACAST AO VIVO! EP 65 #podcasts #podcastbrasil #cortes," Alexandre Frota discusses his experience on a reality show where he was related to a woman named Ana. He reveals that there were multiple cameras set up in the production, and the crew would often interrupt his conversations with Ana. Frota also mentions that Ana was eliminated from the show, and he was shocked when he found out because he had already known the outcome. He explains that the production team did not reveal this information during the filming, and they only found out when the first episode aired and received media attention. Despite this, Frota states that Ana returned to the show and there were no hard feelings. He also shares an unrelated story about creating a Wilson character out of a melon during his time on another reality show.
03:05:00 In this section of the YouTube video titled "ALEXANDRE FROTA NO SALADACAST AO VIVO! EP 65," Alexandre Frota discusses his friendship with Silvio Melo and how they had a disagreement. Frota recounts how Silvio initially didn't want to discuss the topic, but Frota intervened and introduced him to the audience. Later, Frota talks about how Silvio had launched a new project, "Silvio Melo," which Frota had helped produce, but was replaced by another production due to the controversy. Frota also shares an incident where he pranked his colleagues by pretending to use a cell phone while in the bathroom, only to have them pull the same prank on him during a live show. The prank caused a commotion, and Frota was criticized for it, with one journalist from Estadão even commenting on it during a press conference. Despite the controversy, Frota defends his actions and finds the situation amusing.
03:10:00 In this section of the YouTube video titled "ALEXANDRE FROTA NO SALADACAST AO VIVO! EP 65," Alexandre Fota shares an anecdote about an incident that occurred during his time on a reality show. He explains how a woman asked him about a business matter, which led to confusion and panic as he had to deny the rumor of a production stoppage. Fota then shares a personal story about a time in Portugal when he rescued a lost chick from a pond, which inspired him to create a scene for a television show. He emphasizes the importance of embracing opportunities and being creative. Throughout the conversation, Fota's humor and storytelling engage the audience, making for an entertaining podcast episode.
03:15:00 In this section of the "Alexandre Frota no Saladacast Ao Vivo! EP 65" podcast, Alexandre Frota shares an experience from his time at Casa dos Artistas, where he learned to keep busy during quiet moments to avoid negative thoughts. He recalls how he would engage in various activities like repairing fences, riding horses, and taking care of animals on the farm. However, he found that being in a confined space like a Big Brother house was more challenging as there were fewer distractions and more opportunities for conflict. He shares a story about stealing guias (eels) from a fellow contestant and throwing them in the well, only to regret it when the contestant discovered it and injured himself trying to retrieve them. The incident caused a stir among the other contestants, and Alexandre was accused of being the culprit. Despite this, Alexandre maintains that he was not responsible, but the experience taught him the importance of being mindful of one's actions and the potential consequences they may have.
03:20:00 In this section of the YouTube video titled "ALEXANDRE FROTA NO SALADACAST AO VIVO! EP 65 #podcasts #podcastbrasil #cortes," the speaker recounts an incident where his brother was eliminated from a reality show and he was blamed for it. His brother had to take a gesso test, which prevented him from participating in a race, and was eventually eliminated. The brother's departure caused a commotion, as he was popular among the audience. When he was eliminated, the production sent a Fusca car to take him out, but the speaker's brother refused to leave, leading to a confrontation. The speaker admits to pushing the car out and throwing his brother out, and a woman who was with his brother came after him. The situation escalated, with the woman accusing the speaker of being in love with her and the speaker denying it. The incident caused a stir, and the speaker reveals that he was invited to participate in the Portuguese reality show "Quinta das Celebridades" after being recommended by Miguel Falabella and Claudia Raia. He stayed in Portugal for three months and was confined to a hotel for the first 15 days.
03:25:00 In this section of the YouTube video titled "ALEXANDRE FROTA NO SALADACAST AO VIVO! EP 65," Alexandre Frota shares a story about his unexpected encounter with a famous Portuguese celebrity named Elsa Raposo while trying to leave a hotel incognito. Despite being confined to the hotel due to a surprise planned for the public, Frota managed to escape with the help of a production assistant. However, upon leaving, he encountered Elsa Raposo, who was compared to him due to her past involvement with drugs and rehabilitation at a six-star clinic in Lisbon. Frota was surprised to meet her and they exchanged pleasantries before parting ways. The encounter ended with Frota taking a photo with Elsa and his brother, who was waiting outside the clinic.
03:30:00 In this section of the YouTube video titled "ALEXANDRE FROTA NO SALADACAST AO VIVO! EP 65," Alexandre Fota recounts his experience visiting a popular TV show, where he was surprised by the grand entrance and reception he received. He arrived at the set, disguised in camouflage clothes, sunglasses, and a Bible in hand, only to be met with disbelief from the production team when he arrived. However, once they recognized him, he was welcomed with open arms and even ended up developing a friendship with the show's host, José Castelo Branco. Throughout the show, Fota and Castelo Branco shared a connection, and in the final episode, the audience was left to decide who would win between the two. Fota, who had already won the program, set the set on fire to add intensity to the competition, causing the fire department to be called in. The incident became a memorable moment in the show's history.
03:35:00 In this section of the YouTube video titled "ALEXANDRE FROTA NO SALADACAST AO VIVO! EP 65," the speaker recounts his experience of being invited to a reality show despite his initial reservations. He expresses his admiration for the show's host, Agnaldo, and shares an anecdote about a disagreement they had over food. The speaker, who is black and from the periphery, was surprised when Agnaldo, who is not, refused to eat a cake made of fubá (a type of Brazilian flour). The speaker jokingly threatened to throw the violin, which Agnaldo had brought into the house, into the pool in frustration. The speaker also mentions his dislike for the first season of the reality show "Casa dos Artistas" and his admiration for Leandro, who earned significant royalties from his music. Overall, the speaker's tone is lighthearted and humorous as he shares these stories from his experience on the reality show.
03:40:00 In this section of the YouTube video titled "ALEXANDRE FROTA NO SALADACAST AO VIVO! EP 65," Frota expresses his gratitude to his audience for their support, which helped his podcast reach 100,000 subscribers on both SaladaCast and Cortes channels within the same week. He also mentions that they will be offering a prize to all their followers, including those who criticize them, as they learn from their mistakes. Frota also shares some personal stories and jokes, and invites listeners to follow him on Instagram and Facebook. He also mentions a past offer to make a porn film for a large sum of money and his ongoing joke about holding a photo of Frota's penis. The podcast will be taking a week-long break and will return live on January 4, 2023.