Summary of James Franco Does His Impression of The Room's Tommy Wiseau

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00:00:00 - 00:05:00

James Franco shares his thoughts about his movie "The Disaster Artist," a biopic based on the cult film "The Room," and discusses the captivating quality of its badness. He also talks about his experience getting to know and portraying Tommy Wiseau, the mysterious director and star of "The Room." Franco shares an anecdote about his interaction with Wiseau, during which Wiseau confronted him about laughing and insisted on discussing Johnny Depp. Franco reveals that he had initially divulged the role of Wiseau to Depp this time around, but Greg Sestero had proposed Francois instead. The clip of Franco's portrayal of Wiseau is played before the show continues.

  • 00:00:00 In this section, James Franco discusses his movie "The Disaster Artist," which is based on the cult film "The Room." He talks about how "The Room" is the best worst movie ever made and its badness is so captivating that people keep watching it. He also shares his experience getting to know and portray Tommy Wiseau, the enigmatic filmmaker behind "The Room." Franco explains how he acquired Wiseau's life rights and how Wiseau initially wanted Johnny Depp to play him in the movie. Overall, Franco emphasizes the heart and relatability of the story, as both he and Wiseau are dreamers pursuing their passions in the film industry.
  • 00:05:00 In this section, James Franco recalls an interaction with Tommy Wiseau, the creator and star of the cult film "The Room." Franco explains how Wiseau confronted him about laughing during a conversation and insisted on discussing Johnny Depp. Franco also reveals that he had initially promised the role of Wiseau to Johnny Depp, but Greg Sestero, Wiseau's co-star and Franco's friend, suggested Franco instead. Wiseau then complimented Franco on his work, saying he does both good and bad things, leaving Franco amused. The host and Franco discuss Franco's portrayal of Wiseau in "The Disaster Artist" and show a clip from the movie.

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